How do we do anything in life? How do we walk? How do we digest food? How the hell did we develop language and story telling?

The answer? I don’t have a clue. All I can tell is that we look around us at the objects and landscape and other creatures before us and we take a step into it all. Then another step, and then another step. And pretty soon, we are surviving as a product of our environment and doing so with out even much thought. Each next step is just the impulsive step we want to take.

This has been my experience in the film industry. Everything changes when you least expect it and suddenly there are a new set of objects, landscapes and creatures. All I can do is try to stay in touch with what is before me, and take the step my involuntary impulses tell me that I should take.

This video is my presentation at power to the pixel back in Oct of 2008 and gives you a pretty good snapshot of the steps I’ve recently been taking.

Thanks to Mike Hedge for filming.

I shot this video on the Cannon PowerShot TX1 ($350) in 720p 30fps on a 16 gig SD card ($50). To get really close up on the screen I went into the Manual mode and used the little joy stick to press it in once and then from the pop up menu went into super macro. Then while still on the plane I popped out the SD card and put it into my USB SD card reader ($20). Then I hooked it up to Clay’s computer which is a mac book pro with OSX.5 ($2000) and opened up Final Cut Pro 6.0.4 ($1200). Then I chose a custom pre-set for apple pro res 720p 29.97 in the final cut pro sequence settings. Then I dragged clips onto the timeline and they all needed to render. Which sucks, there is no way to play back the TX1 clips with out needing to render. This may change in future versions of Final Cut Pro which would be great. So then I used the typewriter tool in FCP from the viewers little mini-menu and choose “impact” as the font and did all my titles that way. I also used a scrolling text title from the same mini-drop down menu. Then I layered in the Dan Deacon song and back timed the dramatic ending of the song with the change to the white text on black backround. Then I chose “export with quicktime conversion” and “iPod” as the setting. Then I showed it to Isis who was standing right here and noticed that this video isn’t really funny. She did laugh at the part where I was looking for a cab which was good. She then recommended I take out the Hurricane condolences line at the end. I told her I thought it was a good move and instead decided to cut it’s length in half so that title wasn’t staying up too late. Then I exported again and uploaded to TubeMogul.com. Then as usually, I logged into blip and found the video tubemogul had uploaded there and then chose the “redistribute” options to get it to myspace, blip and this wordpress blog.

Also we are doing this cool thing where people get to decide what gets screened in the theater using their cell phones.

Formats available: MPEG-4 Video (.m4v), Flash Video (.flv)

Tech Notes:
Mike Hedge filmed on his VX-2100 on mini-DV tapes. He rolled on about 10 tapes or so at SXSW 2008 and then gave me the tapes at the end of the event. I took them home and brought each tape in it’s entirety into Final Cut Pro onto a new blank hard Lacie Hard Drive. I did this by hitting “Apple 8″ to open the log and capture window. Then I rewound the tape to the beginning, pressed play and hit the “now” button. This is the easiest way to bring in tapes. Some say it’s better to sit around and label each 1 minute of footage but that would be 60 cilps if I did that and thats way too much work. But one key capturing footage this way is that you have to set a couple preferences first. In final cut pro hit “option Q” to pull up the system preferences window. Then make sure the “abort ETT/PTV on dropped frames” is unchecked. Then also uncheck “Abort capture on dropped frames” and in the “on time code break” drop down menu choose “make new clip.” With these settings you’ll be able to hit “now” and walk away from your camera and computer if you want while all your footage gets brought in to Final Cut Pro. If all this sounds like a pain, iMovie is another good way to bring footage in. Then you can take your iMovie files to Final Cut Pro and edit them there.


After the footage was all brought in I did nothing for 3 months. Then suddenly I found this material and edited it together and quickly posted it. But after posting the performance I watched more of the pre-performance anxiety and realized that if I don’t add that material in then there isn’t enough context around the performance. So I edited a second version. As described in previous Tech Notes, I use TubeMogul to post videos to over a dozen video sharing sites. On draw back to this is when I change an edit as I just did. So to deal with that I just double post and leave the early one up too. No sense in logging into myspace, youtube, blip and all the others and deleting the last version. Some day I hope that I’ll be hosting my master file of a video and if I enhance my edit then all the other sites will be “ping” each other and will then re-cache their copy of my video. Until then, this system seems to work.

Also there is some basic color correction going on and during the black and white parts I just dragged the saturation all the way down. With color correction my general rule is always to lower the blacks, raise the mids and adjust the whites so nothing is too bright.

I went to this event last year to shoot video with my friend Isis Masoud who produced the ‘Art for Life’ portion of the conference. Sara Mayti shot photos of the whole event as well. We had a complete blast hanging out and it was my introduction to Macrobiotics. Eating food prepared this way made me feel completely different after the week so I’ve kept it up.

Roger Ingraham just finished taking the footage I shot last year to make a promo for this years 2008 Summer Conference. Also the footage will be utilized in an up coming short documentary about food. As I’m posting I’m currently on a farm that Roger’s Sister Sarah Ingraham runs getting more footage for that short doc. If anyone needs any of the raw footage for their own projects, feel free to get in touch since it’s so far all under creative commons 3.0 meaning anyone is free to utilize for their own documentaries.

Tech Notes:
Shot on HVX mostly in DV mode. Edited in final cut pro. Graphics all done in final cut pro. When I shot I’d shoot the entire presentation with good audio piped out of the PA. Then isis watched all of the footage and pulled out some clips and transcribed some portions. Then Roger sat down and just started pulling all the clips he liked into this promo. Then Isis, me and myself sat down and came up with good lines for the voice over recording into the audio recorder. Then roger edited those into the piece. Then he added reverb. Then we encoded in the iPod codec using compresser and uploaded to a youtube account we made for the Kushi Institute.

At Drexel University in Philidelphia on Monday I showed a clip of Episode 12. After that I spoke a bit about spontaneous filmmaking and always having a camera on hand in case you want to document something.

Then I talk about episodic cliff hangers and a structure we found ourselves coming back to time and time again. Jason, who produced Chuck and Buck brought up the fact that dickens released his first few novels serialized in the paper. Jason also mentioned the age old complaint that about there being a lot of bad stuff out there because of the democratization of filmmaking.

It's agreed that the promise is in better filtering and recommendation enginges. Then Jonathan asks us what did to raise revenue with Four Eyed Monsters. After my answer the tape runs out and then Brian Announces to the classroom a new project they are doing called "Nokia Productions" and says a press release with full details will come out on April 25th.

If you have a film you are self distributing you should strongly consider coming to the workshop that susan and i have been asked to put on at Boston University in the last week of May and first week of June.

Details and registration here.